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supported by 34 fans who also own “Positive Shadow, Negative Light”
A group that I know only too well, I’ve been with them for nearly 30 years; from their Glaswegian basement origins to their current status as Arena band. My enthusiasm for their later output may have tempered somewhat as the mighty ‘Gwai evolved their sound to avoid pigeonholing, but there is nothing better than when they lay waste to a venue via the sheer euphoria of ‘Helicon 1’. They’re still devastating live and, after all those years, THE authority in Instrumental Rock music.
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supported by 31 fans who also own “Positive Shadow, Negative Light”
This may have surpassed "Hardcore Will Never Die..." as my favorite Mogwai album. The album alternates between lovely, spacious, moody tracks to bombastic, fuzzy, rocking guitars so perfectly. It helps the album flow so well. The 5+ minute songs on here only feel like 2 which makes me wanna replay them over and over.
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supported by 31 fans who also own “Positive Shadow, Negative Light”
It’s hauntingly beautiful and conjures up intense emotions.
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Standing On Giant Shoulders
by Seafood Sam
On his majestic new LP, Seafood Sam commits to sweetening the vibe, no matter the situation.
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Different Type Time
by Cavalier
NoLa rapper streamlines his experimental style without sacrificing originality or freshness; guests include Eric Jaye and Quelle Chris.
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Four Singles
by Operator Music Band
Four speaker-melting singles from New York's premiere "live techno" outfit, descended from vintage synthwave, deep house, and dance punk.
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supported by 26 fans who also own “Positive Shadow, Negative Light”
I remember staying jaw-dropping for a minute or two after listening to "Meet Us Where The Night Ends" in the first place... OMG..Reminds me of the best Sigur Ros, but way better. Unbelievable MONO
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